Artist(s):
· Fariha Ahmed · Fatima Nazir · Alice Aslem · Selma Fejzullaj · Jood Elbeshti · Shawky AbdallaSchool Information:
Artwork Information:
Description:
In an age where AI replaces knowledge with convenience, our installation, HydroGAN™, reveals the hidden cost: a resource-hungry infrastructure fueled by our data and sustained by water—the one resource truly essential for human life. This installation stages a seductive cult, exposing how corporate tech repackages extraction as desire—and sells it back as progress.
HydroGAN™ is a satirical launch for “AI-generated” water, branded as cognitively optimizing hydration. Beneath the high-gloss façade lies industrial runoff from AI servers. Through immersive design, absurd subscription tiers, and persuasive performance by us, the installation critiques blind faith in tech, environmental neglect, and belief systems sold as innovation.
The experience is entirely staged. Visitors begin with a biometric scan, surrendering data for access. Inside, a theatrical launch unfolds—an infomercial for product key launch. Performers remain in character, engaging guests with scripted devotion. The line between viewer and believer blurs, prompting the question: when did I stop watching and start joining?
Through this project, we confront a world where tech platforms shape belief and sell identity. Water becomes metaphor, for what we’ve lost, and what we still give away. This isn’t the future, it’s now. You’re not watching. You’re participating. And you’ve already subscribed.
Technical Information:
HydroGAN™ is a satirical installation critiquing techno-capitalism’s environmental and psychological impacts. Utilizing AI tools, we generated the teaser and plan to create the final infomercial, incorporating AI-produced art, video, images, sound effects, voiceovers, and scripts. The project stages a fictional launch of “AI-generated” water, exposing how corporate tech rebrands extraction as wellness. Through immersive scenography and performance, HydroGAN™ blurs fiction and belief. In line with the Speculative Futures theme, it provokes critical engagement with near-present realities, where even water is optimized, branded, and sold—urging audiences to question what progress costs, and who ultimately pays for it.