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SIGGRAPH Asia DAC Exhibition: The Future Past vs. Coloniality: Decolonial Media Art Beyond 530 Years
Co-sponsored by SIGGRAPH Asia
Type: SIGGRAPH Asia Presentation
Coordinated by: Rebecca Ruige Xu – Liliana Conlisk Gallegos
Event Date and Time: 6 December 2022 – 9 December 2022
Description:

The DAC will debuted the latest Online Exhibition: The Future Past vs. Coloniality: Decolonial Media Art Beyond 530 Years. The exhibition was curated by Liliana Conlisk Gallegos and is presented by the ACM SIGGRAPH Digital Arts Community. You can check out the exhibition in the Art Gallery onsite, and online.

Location:
Daeju, South Korea
Coordinators(s):
Rebecca Ruige Xu

Rebecca Ruige Xu currently teaches computer art and animation at Syracuse University. Her artwork and research interests include experimental animation, visual music, artistic data visualization, interactive installations, digital performance, and virtual reality. Her recent work has been shown at: ISEA; Ars Electronica; SIGGRAPH Art Gallery; IEEE VIS Arts Program, Museum of Contemporary Art, Italy; Los Angeles Center for Digital Art, USA; FILE– Electronic Language International Festival, Brazil; International Digital Art Exhibition, China; Boston Cyberarts Festival, USA. Xu is the co-founder of the ChinaVIS Arts Program, Co-Chair of the IEEE VIS 2023 and 2024 Arts Program, and currently serves as Chair of the ACM SIGGRAPH Digital Arts Committee.

Liliana Conlisk Gallegos

With the goal of advancing the certain decolonial turn, Dr. Machete’s (Liliana Conlisk Gallegos) live, interactive media art production and border rasquache performances generate culturally specific, collective, technocultural creative spaces of production that reconnect Chicana/o/x Mestiza Indigenous wisdom/conocimiento to their ongoing technological and scientific contributions, still currently “overlooked” through the logic of the decaying Eurocentric project of Modernity. As a transfronteriza (perpetual border crosser), to her, the current limited perceptions of what research, media, and technology can be are like a yonke (junkyard), from which pieces are upcycled and repurposed to amplify individual and collective expression, community healing, and social justice. She has organized and curated 14 community-centered, interactive, decolonial, community building, and environmentalist, research-based multimedia artivism and critical intervention performances part of series such as, Technocultura & Resistencia: Otro Mundo es Posible (2018-2019), Our San Bernardino, Nuestro (2018), and The Art of Dreaming: The Power of Turning Trash into Art (2017-2018) exhibited in museums, universities and colleges in the Inland Empire like The Garcia Center for the Arts, California State San Bernardino, San Bernardino Valley College, and the Creating Thirst Academy of Moreno Valley. Liliana Conlisk Gallegos is Associate Professor of Decolonial Media and Communication Studies at California State University San Bernardino. She is a member of the ACM SIGGRAPH Digital Arts Committee. She has digital art pieces that have been exhibited at SIGGRAPH, The García Center for the Arts in San Bernardino, Human Resources art museum in Los Angeles, the PAMLA Arts Matter of the Pacific Ancient and Modern Language Association, and the Guizhou Provincial Museum in China.