Amy Sara Carroll’s books include SECESSION, FANNIE + FREDDIE/The Sentimentality of Post-9/11 Pornography, and REMEX: Toward an Art History of the NAFTA Era. Since 2008, she has been a member of Electronic Disturbance Theater 2.0, co-producing the Transborder Immigrant Tool. With other members of EDT 2.0 and the Border Collective, she co authored [({   })] The Desert Survival Series/La serie de sobrevivencia del desierto. Recently her work has appeared in the Boston Review, Michigan Quarterly Review, and Aztlan: A Journal of Chicano Studies, and in the exhibitions, Below the Underground: Renegade Art and Action in 1990s Mexico and Cuánto tiempo lleva todo esto derramándose sin desbordarse. Currently, she’s an Associate Professor of Literature and Literary Arts at the University of California, San Diego.