Everardo Reyes is a Full Professor (Professeur des universités) in the Digital Humanities Dept. at the Université Paris 8 Vincennes-Saint-Denis. Since 2003, he has been a member of Paragraphe Lab, a transdisciplinary research laboratory in Paris, France. He is also a collaborator member of the Cultural Analytics Lab, Board Member of the International Association for Visual Semiotics (IAVS), and Secretary of the Board of ISEA International (International Symposium on Electronic/Emerging Arts).

His research investigates relationships between humanities, the arts, social and computer sciences. Reyes is particularly interested in visual expressions and the description of their meaning within a practical context: graphical interfaces, media visualization, Art, Science, and Technology, digital text, Web design, and hypermedia systems. In his work, Reyes combines semiotic theory and applied experiments using software and programming languages using visual computing techniques.

Reyes is the Art Gallery Chair for SIGGRAPH 2026, and served as Art Papers Chair for SIGGRAPH 2019.  In 2017, he published his authored book “The image-interface” at Wiley-ISTE, and he has also edited four collective books and translated to Spanish two books (Lev Manovich’s Software Takes Command (El software toma el mando) in 2014 and Edward Shanken’s Art and Electronic Media: A Survey (Inventar el futuro) in 2012).

Reyes teaches graduate and undergraduate courses on digital culture, data science and visualization, creative coding for the Web, and research methodology. He also advises students with their Masters and PhD dissertations, in the fields of information sciences, media studies, art, design, technology, digital humanities, and visual media.