Simon Biggs is a media artist, writer and curator working with digital poetics, interactive systems and interdisciplinary research. His work has been widely presented, including at Tate Modern/Liverpool/Britain, Institute of Contemporary Arts London, Centre for Contemporary Arts Glasgow, Kettles Yard Cambridge, Centre Georges Pompidou Paris, Academy de Kunste Berlin, Berlin Kulturforum, Rijksmuseum Twenthe, Kunsthalle Bergen, Maxxi Rome, Macau Arts Museum, Oi Futuro Rio de Janeiro, Arizona State Art Museum, San Francisco Cameraworks, Walker Art Center Minneapolis, Art Gallery of South Australia and the Art Gallery of New South Wales. He has presented at numerous international conferences, including the International Symposium on Electronic Arts, ePoetry, Society for Literature, Science and the Arts, Electronic Literature Organization and FILE Sao Paulo. Publications include Remediating the Social (2012, editor), Autopoeisis (with James Leach, 2004), Great Wall of China (1999), Halo (1998), Magnet (1997) and Book of Shadows (1996). He has held academic posts at Middlesex University London and Academy Minerva Groningen, a Research Fellowship at Cambridge University and Professorships at Sheffield Hallam University, the University of Edinburgh and the University of South Australia. He is currently Adjunct Research Professor of Art at the University of South Australia.